2
Oil Lume with glass upper section hand painted with landscapes in shades of gray, nineteenth century, Napoleon III. Drum in gilded bronze in pure gold. H 62.5 cm. Base cm 14. Bell diameter 25.5 cm
Oil Lume with glass upper section hand painted with landscapes in shades of gray, nineteenth century, Napoleon [..]
2
Oil Lume with glass upper section hand painted with landscapes in shades of gray, nineteenth century, [..]
Oil Lume with glass upper section hand painted with landscapes in shades of gray, nineteenth century, Napoleon [..]
3
Oil painting on canvas painting depicting the Adoration of the Magi, Giuseppe Sciuti (Zafferana, February 26, 1834 - Rome, 13 March 1911). 60x46 cm, framed cm 70,5x56,5 A painting that is foreign to those of the greek-Roman classicism. Sciuti assumes in this, more domestic tone, less emphatic. The Madonna with the face of a young Sicilian mother, intently watching your sleeping child, conveys a clear moment of intimacy. I admired the wise men are participants in a moment of loving-kindness. Th
Oil painting on canvas painting depicting the Adoration of the Magi, Giuseppe Sciuti (Zafferana, February 26, [..]
3
Oil painting on canvas painting depicting the Adoration of the Magi, Giuseppe Sciuti (Zafferana, February [..]
Oil painting on canvas painting depicting the Adoration of the Magi, Giuseppe Sciuti (Zafferana, February 26, [..]
4
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval mirror. Cm 56x54
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval mirror. [..]
4
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval [..]
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval mirror. [..]
5
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval mirror. Cm 56x54
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval mirror. [..]
5
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval [..]
Mirror in gilded wood with two candles. 18th century. Sculpted and engraved with crowned eagles. coeval mirror. [..]
6
Small table old Art Nouveau by Louis Majorelle, France Liberty. In wood with light wood inlays. Signed on the right corner of the surface L. Majorelle. H 80x85x60 cm
Small table old Art Nouveau by Louis Majorelle, France Liberty. In wood with light wood inlays. Signed on the [..]
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Small table old Art Nouveau by Louis Majorelle, France Liberty. In wood with light wood inlays. Signed [..]
Small table old Art Nouveau by Louis Majorelle, France Liberty. In wood with light wood inlays. Signed on the [..]
7
Triptych gold background on panel Madonna and Saints Peter and Paul ont both sides, Sicily, fifteenth century Sicilian painter of the circle of Roberto Di Odorisio. on wood with semigotic tips .Cm 45 x 43 Roberto D'Oderisio (ca 1335 - ca 1386 Naples) Oderisio can be considered the most important Neapolitan artist on which converges the Giotto and the Sienese culture. The volumetric research and attention to color and light values have been instrumental in its formation, and particularly in
Triptych gold background on panel Madonna and Saints Peter and Paul ont both sides, Sicily, fifteenth century [..]
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Triptych gold background on panel Madonna and Saints Peter and Paul ont both sides, Sicily, fifteenth [..]
Triptych gold background on panel Madonna and Saints Peter and Paul ont both sides, Sicily, fifteenth century [..]
8
Oil painting on copper depicting marina with boats and characters, the eighteenth century, the Netherlands. Cm 16x20,5. In 24,5x28,5 frame.
Oil painting on copper depicting marina with boats and characters, the eighteenth century, the Netherlands. Cm [..]
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Oil painting on copper depicting marina with boats and characters, the eighteenth century, the Netherlands. [..]
Oil painting on copper depicting marina with boats and characters, the eighteenth century, the Netherlands. Cm [..]
9
Engraving, dry point, Salvator Rosa (Naples 1615-Rome 1673) depicting man with stick and two people sitting in one of his shoulders. Monogram on the left. From "Different figures." Etching from copper plate, mm140x90. Excellent copper engraving printed in coeval paper, II state. The collection of "Different figures" is undoubtedly the most famous graphic work of Salvador Rosa, along the era considered a model for young artists and in it are held topics already covered by many engravers like Ca
Engraving, dry point, Salvator Rosa (Naples 1615-Rome 1673) depicting man with stick and two people sitting in [..]
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Engraving, dry point, Salvator Rosa (Naples 1615-Rome 1673) depicting man with stick and two people [..]
Engraving, dry point, Salvator Rosa (Naples 1615-Rome 1673) depicting man with stick and two people sitting in [..]
10
Etching, dry point, by Salvator Rosa (Naples 1615-Rome 1673) depicting man with the left stick and sword to right, from "Different figures." Etching from copper plate, mm140x90. Monogrammed and numbered left to right 53 (1656/58). Excellent copper Etching printed in contemporary paper, II state. The collection of "Different figures" is undoubtedly the most famous graphic work of Salvador Rosa times already considered a model for young artists and in it place on topics already covered by many
Etching, dry point, by Salvator Rosa (Naples 1615-Rome 1673) depicting man with the left stick and sword to right, [..]
10
Etching, dry point, by Salvator Rosa (Naples 1615-Rome 1673) depicting man with the left stick and [..]
Etching, dry point, by Salvator Rosa (Naples 1615-Rome 1673) depicting man with the left stick and sword to right, [..]
11
Etching, dry point Salvator Rosa (Naples 1615-Rome 1673) depicting womancovering her face, taken from "Different figures" Etching from copper plate, mm140x90. Monogrammed and numbered left to right 47 (1656/58). Excellent copper Etching printed in contemporary paper, II state. The collection of "Different figures" is undoubtedly the most famous graphic work of Salvador Rosa times already considered a model for young artists and in it place on topics already covered by many engravers like Cal
Etching, dry point Salvator Rosa (Naples 1615-Rome 1673) depicting womancovering her face, taken from "Different [..]
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Etching, dry point Salvator Rosa (Naples 1615-Rome 1673) depicting womancovering her face, taken from [..]
Etching, dry point Salvator Rosa (Naples 1615-Rome 1673) depicting womancovering her face, taken from "Different [..]
12
Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Etching Signed on the lower left depicting scenes of everyday life and popular. Bottom written pencil pointing to the numbering of the annotated catalog "De Vesme Alexande" 145x135 mm. Devoid of the frame. Good copper Etching. Schoolboy sculptor Giambologna, was an autodidact who began to study the Callot which was greatly influenced. It can be considered as a pure graphic of his time as he devoted himself entirely to the etchings an
Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Etching Signed on the lower left depicting scenes [..]
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Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Etching Signed on the lower left depicting [..]
Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Etching Signed on the lower left depicting scenes [..]
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Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Oval Etching depicting black Arabian horse with Stable 100x72 mm. Good copper Etching. Schoolboy sculptor Giambologna, was an autodidact who began to study the Callot which was greatly influenced. It can be considered as a pure graphic of his time as he devoted himself entirely to the etchings and the drawings. Well-known in France was an attentive observer of all his Italian contemporaries, Flemish, French and worked a lot for Frenc
Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Oval Etching depicting black Arabian horse with Stable
100x72 [..]
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Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Oval Etching depicting black Arabian horse [..]
Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Oval Etching depicting black Arabian horse with Stable
100x72 [..]
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Pietro Testa
(Italian, 1612 - 1650)
Oval Etching depicting two cherubs Bacchae, Pietro Testa said Lucchesino (Lucca 1611 - Rome 1650). Etching. Diameter 172x135 mm. In walnut frame with brass inserts in the corners 30x39,5 cm.
Oval Etching depicting two cherubs Bacchae, Pietro Testa said Lucchesino (Lucca 1611 - Rome 1650). Etching. Diameter [..]
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Pietro Testa
(Italian, 1612 - 1650)
Oval Etching depicting two cherubs Bacchae, Pietro Testa said Lucchesino (Lucca 1611 - Rome 1650). Etching. [..]
Oval Etching depicting two cherubs Bacchae, Pietro Testa said Lucchesino (Lucca 1611 - Rome 1650). Etching. Diameter [..]
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Etching depicting the Flight into Egypt Pietro Aquila (Marsala 1650- Rome 1692). all'aquaforte Etching. Mm 140 X181, framed walnut with brass inserts in the corners 30x39,5 CM.
Etching depicting the Flight into Egypt Pietro Aquila (Marsala 1650- Rome 1692). all'aquaforte Etching. Mm 140 [..]
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Etching depicting the Flight into Egypt Pietro Aquila (Marsala 1650- Rome 1692). all'aquaforte Etching. [..]
Etching depicting the Flight into Egypt Pietro Aquila (Marsala 1650- Rome 1692). all'aquaforte Etching. Mm 140 [..]
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Pair of Biedermeier potiche in pale wood with details, apple and ebonized base. With cover 62X50 h.
Pair of Biedermeier potiche in pale wood with details, apple and ebonized base. With cover 62X50 h.
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Pair of Biedermeier potiche in pale wood with details, apple and ebonized base. With cover 62X50 h. [..]
Pair of Biedermeier potiche in pale wood with details, apple and ebonized base. With cover 62X50 h.
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Triptych consisting of watch and pair of candlesticks to 5 lights with porcelain inserts in the colors of Sevres Napoleon III, mid-nineteenth century .Orologio H 48. Base 32x19 cm. Stanchions 44 cm H
Triptych consisting of watch and pair of candlesticks to 5 lights with porcelain inserts in the colors of Sevres [..]
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Triptych consisting of watch and pair of candlesticks to 5 lights with porcelain inserts in the colors [..]
Triptych consisting of watch and pair of candlesticks to 5 lights with porcelain inserts in the colors of Sevres [..]
18
Round golden brass in wooden frame ebonized De Nuptis Mercurii et Philologiae, late eighteenth century Depiction of Philology of the rise in the sky to marry Mercury, the god of eloquence, in a meeting with the liberal arts. In the background an architectural landscape with deep relief Etching on copper stiacciato making it a great sense of depth and relief. They celebrate the event the seven liberal arts: grammar, dialectic, rhetoric, the "Trivium", arithmetic, geometry, astronomy and music,
Round golden brass in wooden frame ebonized
De Nuptis Mercurii et Philologiae, late eighteenth century
Depiction [..]
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Round golden brass in wooden frame ebonized De Nuptis Mercurii et Philologiae, late eighteenth century Depiction [..]
Round golden brass in wooden frame ebonized
De Nuptis Mercurii et Philologiae, late eighteenth century
Depiction [..]
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Flight into Egypt in casket, wax and cloth, Sicily, Trapani, mid eighteenth century. Teca contemporary Louis XV gilt wood Louis XV. H 47 x35 cm, depth 7 cm.
Flight into Egypt in casket, wax and cloth, Sicily, Trapani, mid eighteenth century. Teca contemporary Louis XV [..]
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Flight into Egypt in casket, wax and cloth, Sicily, Trapani, mid eighteenth century. Teca contemporary [..]
Flight into Egypt in casket, wax and cloth, Sicily, Trapani, mid eighteenth century. Teca contemporary Louis XV [..]
22
Sculpture in white marble depicting angel, Sicily, sixteenth century. 70 cm H, with com 156. Deficiencies
Sculpture in white marble depicting angel, Sicily, sixteenth century. 70 cm H, with com 156. Deficiencies
22
Sculpture in white marble depicting angel, Sicily, sixteenth century. 70 cm H, with com 156. Deficien [..]
Sculpture in white marble depicting angel, Sicily, sixteenth century. 70 cm H, with com 156. Deficiencies
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Sculptor late nineteenth century, Ludwig van Beethoven, bronze sculpture lost wax. H Cm 45 x 35, with marble base H 55 cm.
Sculptor late nineteenth century, Ludwig van Beethoven, bronze sculpture lost wax. H Cm 45 x 35, with marble base [..]
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Sculptor late nineteenth century, Ludwig van Beethoven, bronze sculpture lost wax. H Cm 45 x 35, with [..]
Sculptor late nineteenth century, Ludwig van Beethoven, bronze sculpture lost wax. H Cm 45 x 35, with marble base [..]
24
Group of 6 chairs and 2 head of table chairs, nineteenth century, Holland. With floral inlays in light woods
Group of 6 chairs and 2 head of table chairs, nineteenth century, Holland. With floral inlays in light woods
24
Group of 6 chairs and 2 head of table chairs, nineteenth century, Holland. With floral inlays in light [..]
Group of 6 chairs and 2 head of table chairs, nineteenth century, Holland. With floral inlays in light woods
26
Round Biedermeier table, 20th secolo.Base four races and lion foot. H 65 cm, diameter 92 cm.
Round Biedermeier table, 20th secolo.Base four races and lion foot. H 65 cm, diameter 92 cm.
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Round Biedermeier table, 20th secolo.Base four races and lion foot. H 65 cm, diameter 92 cm.
Round Biedermeier table, 20th secolo.Base four races and lion foot. H 65 cm, diameter 92 cm.
27
Biedermeier round table extendable, 20th century. Four-spokes base and lion foot. H 65 cm, diameter 90 cm.
Biedermeier round table extendable, 20th century. Four-spokes base and lion foot. H 65 cm, diameter 90 cm.
27
Biedermeier round table extendable, 20th century. Four-spokes base and lion foot. H 65 cm, diameter [..]
Biedermeier round table extendable, 20th century. Four-spokes base and lion foot. H 65 cm, diameter 90 cm.
28
Biedermeier sofa, early nineteenth century light wood. Refurbished with silk tapezzaria in the seat and backrest in silk velvet. Length 245 x 80 cm.
Biedermeier sofa, early nineteenth century light wood. Refurbished with silk tapezzaria in the seat and backrest [..]
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Biedermeier sofa, early nineteenth century light wood. Refurbished with silk tapezzaria in the seat [..]
Biedermeier sofa, early nineteenth century light wood. Refurbished with silk tapezzaria in the seat and backrest [..]
29
Elegant table circular center conintarsi the floor and leaps subgrade, Sicilian manufacture of mid-nineteenth century.
Elegant table circular center conintarsi the floor and leaps subgrade, Sicilian manufacture of mid-nineteenth [..]
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Elegant table circular center conintarsi the floor and leaps subgrade, Sicilian manufacture of mid-nineteenth [..]
Elegant table circular center conintarsi the floor and leaps subgrade, Sicilian manufacture of mid-nineteenth [..]
30
Pair of Neapolitan vases in terracotta, height 166 cm, with floral decorations in the nineteenth century, small pieces missing in flowers and leaves.
Pair of Neapolitan vases in terracotta, height 166 cm, with floral decorations in the nineteenth century, small [..]
30
Pair of Neapolitan vases in terracotta, height 166 cm, with floral decorations in the nineteenth century, [..]
Pair of Neapolitan vases in terracotta, height 166 cm, with floral decorations in the nineteenth century, small [..]
31
Pair of corner cupboards in rosewood with marquetry and Perfili light wood, white marble floor, the early nineteenth century, Sicily. H cm 157x70x38.
Pair of corner cupboards in rosewood with marquetry and Perfili light wood, white marble floor, the early nineteenth [..]
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Pair of corner cupboards in rosewood with marquetry and Perfili light wood, white marble floor, the [..]
Pair of corner cupboards in rosewood with marquetry and Perfili light wood, white marble floor, the early nineteenth [..]
32
Carlo Portelli
(Loro Ciuffenna, 1510 - Firenze, 1574)
Attributed to
Oil paint on wood depicting Christ taken down. 52x42 cm, attributed Carlo Portelli (Loro Ciuffenna, 1510 - Florence, 1574) . Expertis by Emilio Negro. The piece is enable for exportation, paper included.
Oil paint on wood depicting Christ taken down. 52x42 cm, attributed Carlo Portelli (Loro Ciuffenna, 1510 - Florence, [..]
32
Carlo Portelli
(Loro Ciuffenna, 1510 - Firenze, 1574)
Attributed to
Oil paint on wood depicting Christ taken down. 52x42 cm, attributed Carlo Portelli (Loro Ciuffenna, [..]
Oil paint on wood depicting Christ taken down. 52x42 cm, attributed Carlo Portelli (Loro Ciuffenna, 1510 - Florence, [..]
